Myriads and Ars Electronica: some links
The Myriads Exhibit
The Myriads exhibit constituted an environment in which everything you see/hear/experience is generated through the data massively captured in multiple modalities from the city.
In this case, data was massively harvested from major social networks (Facebook, Twitter, Instagram) to gain understandings about the myriads of micro histories of the city, as they evolve with people’s behaviours, emotions, movements in the spaces of the city, and their flows of information, knowledge and communication. (the Human Ecosystems technology was used to perform the massive harvesting of this data, and for the use of Natural Language Analysis and Geo-referencing techniques interpret what emotions, movements, behaviours, topics, relations and flows were expressed by the captured messages).
Everything in the space was designed to show the passage from the industrial city to theThird Generation City, the city of the flows of data, information, knowledge and emotions.
In the exhibit, the data coming from the interpretation of emotions, expressions, gossips, movements and behaviours, become the generative sounds, visuals and knowledge which you could see and access in the projections, screens, speakers, and in the workshops. As in Marco Casagrande‘s definition: the third generation city is the ruin of the industrial city, in which gossip, ruins infrastructures, transforming them into syncretic maps of the flows of citizens and their communications/exchanges in the city.
The Education Program
At Ars Electronica, the Myriads project included 15 workshop pills: 15 different micro workshops, each one dealing with one specific point of view or perspective which was relevant to the concept of the work.
Each workshop pill was distributed under the form of a dose of the Myriads’ knowledge drug, each containing one micro-slide with the title of the workshop and a link to a set of documentation items which were used in it: from articles, to scientific publications, to software and tools.
These are all of the micro-slides of the workshop-pills:
The workshops covered multiple topics: identity; relational ecosystems; practical examples of generative arts (and the software needed to create it); privacy and surveillance; peer-to-peer ethnography; zombies (and the significance of understanding each era’s monsters). There was also a hidden, mysterious 16th workshop (which some people actually managed to find) going under the title of Jennifer Gabry’s essay “Telepathically Urban“.
Each workshop lasted 20 minutes, giving participants a good overview of the theme, as well as the possibility to choose which workshops to participate to, assembling the, into an educational and experiential path.
These are the slides from the workshop:
We were very satisfied with the results.
As is always our intention, both the exhibit and the education program were a stimulus for people’s perception for possible futures of cities, helping them to build their own imagination, vision and desires beyond mere technologically possible futures, tending toward better understanding of their desirable, imaginable futures, together with other people, their conflicts, agreements, divergences, differences and harmonies.
In this, the education program constituted a major advantage. Workshop participants really seemed to appreciate the effort dedicated to exploring possibilities, going beyond the techno-imaginaries which are currently promoted by industry operators.
People were very engaged, stayed long after the intended 20 minutes duration of the workshops, bringing up interesting and profound conversations. They came back over and over, multiple times, even given the richness of the program at Ars Electronica. This happened for the specific need, expressed by many participants, to confront with theabsence of conflict, differences and transgression in the technological discourse about the future of the city.
For example, this was particularly visible and highlighted by the industrialization of mindworkshop, and by the identity workshop, where we analysed some of the most critical aspects of the emergence of the experience economies and of the creative economies, as well as in the Ubiquitous Commons workshop, where we learned some models to use to enact participatory actions to propose autonomous alternatives.
In the end, the clear issue was about te importance of the themes which we confronted with in Myriads. They go well beyond the technological features of the “future” cities, and regard human beings’ fundamental rights and desires.